Marvel Masterworks: The Avengers #1-10 by Don Heck, Jack Kirby & Stan Lee
By future | Posted in • ComicsIt’s been over half a year since I’ve written an article, so forgive me if I didn’t choose some of the other things I’m reading like Notes From The Underground _or Insert Highbrow Russian Book Here). This is Marvel Comics, this is mindless escapism, but I like it, ok? So here’s the review.

This book is a collection of the first 10 issues of the Avengers, and this is the swingin’ ‘60s when Stan Lee and Jack Kirby were kings of all they surveyed (in the comic world). They had already created a bunch of still-famous characters like Hulk, Thor, Iron Man, etc. So what next? Easy, take them together and put them in a team book. Oh yeah, and add the near-worthless Ant-Man and Wasp. I mean they have nothing better to do, no one wants to read comics starring heroes that can make themselves small and talk to ants.
“Beware my mighty power to summon ants and spoil your picnic!” shouts Ant-Man.
So Thor, Hulk, Iron Man, Wasp and (urgh) Ant-Man come together as the Avengers to fight Loki, Norse god of evil and poor fashion sense. Hulk doesn’t last long as a team member because he’s not social (more on that later) and they are soon joined by the legendary WWII comic hero Captain America (more on that later too) (see same old Future, still using way too many parenthesis…how did I graduate college?). The big focus of the book becomes the devious Baron Zemo fighting the Avengers. He assembles the Masters of Evil (best villain name…ev-ver), recruits Norse gods, builds an ally named Wonder Man, and still gets his ass kicked. He does manage to run away screaming “I would have gotten away with it too if it weren’t for you pesky Avengers.” The book is your basic hero fights villain every issue thing. Like I said, not Shakespeare, but it’s fun. It even has confusing time travel stories, and I’m always a mark for those. Now let’s analyze some of the more salient points shall we? I think salient means important, but I also heard that it’s an alternative to using silicone in boob jobs. Who knows, right?
Hulk: He isn’t the Hulk that says ‘Hulk Smash’ then begins drooling on himself. Oh no…he’s pretty dumb but he’s also a cranky ‘ol bastard. He sticks around for only two issues and spends most of his time telling the other Avengers that they hate him because he’s so strong. Then he starts punching them. And he wonders why they don’t want him around? He quits, and being such a good sport starts scheming against them. He teams up with Sub-Mariner, prince of Atlantis and all-around human hater, but it turns out that the Mariner can’t stand Hulk either. Poor unloved Hulk…maybe you’d have more friends if you stopped insulting them and stepping on their necks.
Captain America’s lost love: So Stan Lee thought it would be great to bring back an old character from the ‘40s. Great, just say that he’s been frozen in a block of ice for 20 years, happens all the time. The problem I have with the Captain is his one-dimensional creepy personality. He’s after Baron Zemo, an old nazi war criminal for killing his boy sidekick Bucky. I hate boy sidekicks. I really do. And I really really hate the fact that all of Captain America’s thought balloons are filled with pictures of Bucky and words of weeping. He’ll never get over losing Bucky; Bucky was the most precious guy in the world, etc. Stop being such a girl, Captain America! He has decided to start hanging around with a new young boy named Rick Jones. He and Rick practice “acrobatic tricks” and “fighting maneuvers.” Read between the lines people. Not healthy behavior for any grown man, let alone a so-called super-hero. There is a great scene where Rick dresses up as Bucky and Cap freaks out. He demands that Rick take off the costume and starts sobbing. Baron Zemo was trying to do you a favor by offing your sidekick, ok? You don’t need another one.
Ant-Man & Wasp: Aside from being lame heroes, they are kind of amusing. All Wasp does is talk about how dreamy every hero and villain is, and how she wants to “spend time” with them. Her boyfriend Ant-Man reproaches her with “Don’t you ever think about anything except…” I assume that sentence would have ended in the word ‘cock’, but Stan Lee could never get it past the Comic Code Authority. Good one though, Stan. Wasp is portrayed in a very sexist way. She’d rather be powdering her nose, shopping etc. than fighting evil. Every single super-heroine of the 1960s’ was a bimbette, and I know it’s not fair, but I’m too lazy to write my local Congressman and complain, so if you want to, you can.
Baron Zemo: He’s a really great villain in my opinion. Think Dr. Evil from the Austin Powers movies, except wearing a hideous purple costume and having a pink hood permanently stuck on his head. He comes up with retarded plans of world domination, like spraying the streets of Manhattan with super-glue, and then bitching and moaning when his plans don’t work. He throws temper tantrums and kicks things out of frustrating…like walls and cute little kittens. He also rules a small village in South America, which is where he keeps his precious, precious treasure. One memorable scene has him looking in his big treasure chest when no one is around and worrying that everyone wants his gold. He is a delusional paranoid, but I love him.
Bottom Line
If you’re a comic fan, you will enjoy it. Nothing world-shattering, but a fun read none-the-less. Stan Lee was really a great comic writer in the ‘60s (at least in comparison to his competition), and Jack Kirby’s art remains very fresh and innovative. Jack Kirby’s Pop Art stylings have influenced so, so many artists, and with good reason. Even pop art painter Roy Lichtenstein’s work seems at least partialy influenced by Kirby. Journeyman Don Heck takes on the art chores in the last few issues, and his work is acceptable, but spotty at times. If you’re not a super-hero comic fan, I already made fun of the stupidest parts of this book, so spend your $50 on front row seats to watch arena football instead.
Another article finished. Now I only have to wait like 8 months before Hollywood sends me a check for it.
-Future
Resources:
If you’re interested in learning more about any of these characters visit the Marel Handbook
If you enjoy seeing men in spandex visit the Hawk Cave
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No, no no… this comic book isn’t pornography or anything. Get your filthy monkey mind out of the gutter. MvsR is too classy a site to review porn (unless any porn companies are willing to shill out some big bucks to Hollywood, then maybe). This is the life story of Dan Pussey, fictitious comic writer/artist superstar and perennial loser. I like it, but it’s definitely not for everyone.
Dan grows up getting bullied, laughed at by girls and eats lots of greasy food. He dreams of being a comic artist, and one day his dream comes true. He becomes a superstar in the super-hero comic industry, which still doesn’t make him much less of a loser. I mean, someone who wins a pie-eating contest is successful, but that doesn’t make him or her well liked or happy. Dan forays into the world of artsy comics (the ones I read, because I’m cultured… and a snob) and a brief stint in the “real” art world. He ends up getting a big ego, and becomes a big prick to the legions of dweebs that admire him and his work. Trent Gaswell, a smashmouth young geek, eventually usurps him and eventually the world forgets about Dan. He spends his last years coming to terms with being a has-been. He dies, and no one remembers him. That’s a nice happy ending, huh?
Pussey! rips the comic industry to shreds as it pokes fun at mindless super-hero comics, obsessive fanboys, and money grubbing businessmen. Some of this stuff might be a tad too “inside” for the general reader. The short pieces “The Artist’s Life” and “Portrait of the Artist as a Young Pussey” lampoon the art world in general. Understand that Dan Clowes went to art school and has a bone to pick with pretentious artists, outré artists, cutthroat artists etc. These two stories are particularly vicious, showing the argument that Art = Making Money and little else. Ouch! Harsh views of American family life, Pussey’s parents think he’s useless and accuse him of being gay because he can’t get dates are commonplace throughout this book. A lack of identifiable characters exists, as everyone’s clueless and self-absorbed. People feed off each other; everyone’s some sort of parasite. Bleak world view there Mr. Clowes! I wish somebody would give him a hug because he needs one.
Other Resources For Pussey er.. umm.. Dan Clowes:
Well, everyone’s heard about the Tick, it’s some sort of “cult classic” cartoon that used to be on Fox. But have any of you Tick fans out there ever considered the humble beginnings of the character? Where did this overnight sensation come from? Ok, fine, so maybe 3 people have given it a thought, but that doesn’t matter. The Future is here to answer unasked questions. I have a mind containing more knowledge than the Library of Alexandria, but it’s all useless knowledge. I have yet to find a person who cares that I know the win-loss record of former WWF superstar Jim Powers, or the real names of all the founding X-Men. Uh… I guess I’m rambling. Ok, this is an experimental stream of consciousness review like all the kids who hang around Starbucks do. Errr… I’m gonna go to sleep and write this article later.
Ok, I feel better. The Tick, for those of you not cool enough to watch Saturday morning cartoons, is a “special” (i.e. mildly retarded) superhero in a big blue suit. His sidekick is Arthur, a chubby loser dressed up as a moth. The Tick has the zaniest of adventures, and said cartoon show is pretty funny. I also hear there’s a big hoopla about a forthcoming live-action series. But things were not always such, oh no true believers. The Tick was once a black & white comic book published in the late ‘80s by a tiny comic group called New England Comics. It took off pretty quickly, but Tick creator Ben Edlund is quite the procrastinator, and people eventually got sick of waiting 8 months for the next issue to come out. Despite his dishonorable tardiness, the Tick cultivated a devoted following (more loyal than MvsR fans, but less fanatic than Heaven’s Gate). The Omnibus reprints issues 1-6 of the series in all its’ two-tone glory.
Synopis: The Tick is an escaped lunatic with superhuman power, said powers being nigh-invulnerability. In other words, he takes a lickin’ and keeps on tickin’ or some such. Tick runs around The City (it’s in capitals, because The City is the name of the city….don’t worry, it makes my head hurt too) scaring people and trying to convince them that he is indeed a real-life super hero. Nobody’s biting, but that doesn’t deter our spandex-clad pally. He eventually comes into conflict with Clark Oppenheimer, a Superman parody. Tick attempts to join Clark in his fight against evil, but all he succeeds in doing is make Clark’s personal life hell. People start thinking strange things when you hang out with costumed mental patients. Tick gets bored and wanders off (a recurring motif of Edlund’s used to advance the plot), but things are just starting to get fun.
Edlund shows remarkable progress in his craft in these issues. Granted, they came out over the course of 14 years (I think) but there is still some dramatic changes between issue 1 and issue 6. The drawings get much more smooth and easy on the eye (aside from issue 5 which Edlund doesn’t even draw; it’s apparently illustrated by an amputee). Whimsical, I guess that sums up the drawing style. The Tick comic also develops a unique identity outside of the realm of parody



